Wes Anderson’s newest film, “The Darjeeling Limited,” finally cements the director’s style, and it does so by disregarding the standard notion of plot. Anderson, who charmed many with Max Fisher’s zany plays in “Rushmore” and the bizarre prodigy family in “The Royal Tenenbaums,” fizzled with his Cousteau-humored “The Life Aquatic.” The fantastic world created for “Aquatic” did not compliment Anderson’s cinematic eye and came across as forced. “Darjeeling,” however, finds a perfect balance of staging and narrative, and utilizing the exotic backdrop of India, Anderson’s whimsy becomes less stage play, but magic. By blending intentional and inadvertent the meandering plot does not disappoint, but instead, calls the viewer to marvel in the journey, and relax with a cup of sweet lime.